

(1998)

June 8th, 1999
MOVIE ![]()
VIDEO ![]()
AUDIO ![]()
EXTRAS ![]()
OVERALL ![]()
One Disc
1.85:1 Aspect Ratio
(Letterboxed)
English Dolby Digital 5.1
French Dolby Digital 2.0
English Subtitles
Original Theatrical Trailers
Featurette
Commentary
Run Time: 104 Minutes
Keep Case
MOVIE ![]()
Rated R for violence and brief nudity
Okay. I have a bone to pick. Let me lay it out for you. Today's review is Psycho.
Not the Alfred Hitchcock film considered a classic today though roundly
criticized upon original release (like many classics.) I'm talking about Psycho
with a little 1998 in parenthesis after it. The Psycho remake. I was in
Florida when I first heard the news, on April Fool's Day nonetheless. I was
completely cut off from my Internet sources and all I knew was a tiny paragraph
in the entertainment section of USA Today reported that Universal wanted to
remake Psycho with Drew
Barrymore in the lead. So I paused for a moment, sat back, had a sip of my
orange juice and decided that it was all a joke. I had a good laugh. Upon
returning home and firing up my old 56k modem, I found out that, not only was
it not a joke, but shooting was set to begin soon with my old arch nemesis Gus
Van Sant. (A story to go into at another time) As production began and I heard
they cast Vince Vaughn as Norman and recast Marion with Anne Heche. Then
William H. Macy joined the cast along with Julianne Moore. Suddenly I was
interested. But it wasn't until the first photo appeared in Entertainment
Weekly's Fall Preview, showing Vaughn as Norman standing in front of the creepy
farmhouse on the hill where that Victorian monster once stood. That's when my
interest was definitely peaked. Onto my bone to pick. To all of you who roundly
"hate" this remake. Like those who "love Pink Flamingos"
(and you pretentious film students, I'm looking in YOUR direction) there are
some who truly do love it (I'm included) because there's an oddball charm to
it, and there are those who love it because it's hip to love something as odd
as Pink Flamingos. So
it is with this remake. There are those who really hate it (often because they
hated the original too) and then there are those who feel the need to hate it
for the sacrilege that it is, as a remake of their beloved Psycho. But,
as this is a shot for shot remake, exactly the same, with only moments as the
difference, with high quality actors, you CAN'T hate this one and love the
other judging them on their own merits. They're ALMOST EXACTLY THE SAME! So stop
lying. Admit that Norman's moment of masturbation while watching Marion adds an
overt feeling of shame in his character that wasn't in the original. Admit that
it's really cool to see something exactly the same though, somehow different.
Admit that William H. Macy doing the same dialogue that Martin Balsam did is
pretty damned cool! ADMIT IT!
Anyway. Since the movie is a shot for shot remake, I'll remake my old
review by cutting and pasting the summary paragraph. Psycho, as you may
or may not know, begins with a lunchtime tryst between unwed couple Sam Loomis
(Viggo Mortensen) and Marion Crane (Anne Heche) where they speak in length about not having the money to marry and be happy. At work, Marion sensing an opportunity absconds with a large
sum of money from her office under the guise of bringing it to the bank. She leaves town immediately, buying a new car, steadily eluding a police officer that finds her suspicious. Unfortunately, fate appears in the form of a quiet little motel beneath a Victorian house on the hill. Norman Bates (Vince Vaughan) manager of the
motel tries to entertain his guest, bringing her food, inviting her to eat with
him, at the same time fending off verbal abuse from his crazy mother living up
on the hill. Marion, realizing that she'd trapped herself decides to return the
money. She steps into a nice hot shower. She's brutally murdered.
I still refrain from mentioning the twist in my review on general
principle. Though, if you've still not discovered the secret of Psycho,
I'd either advise you to first watch the original or skip directly to the movie
by putting the DVD in your player and pressing play instead of waiting for the
menu. In the very menu, a morph reveals the ending. Horror of horrors. So, be
quick on the draw and don't allow the menu animation to spoil the surprise.
I'm not sure about which to watch first, though. I do think that the
original Psycho is
superior, though only because of Mr. Van Sant's little bizarre arty flashes
during the murders. Will someone please tell me what THAT was about? Really!
But the case for watching this edition first is that it might get a fair shake
that way. The bottom line is, this remake is not a monstrosity, not a horrific
attempt at an experiment gone horribly wrong. It's just a remake. It is just
slightly different and surreal. Don't condemn it for that. Give it a chance and
you might be pleasantly surprised.
VIDEO QUALITY ![]()
This movie looks great. The stylized colors, the rich blacks, all
reproduced wonderfully in Anamorphic
1.85:1 widescreen. Take special note of a shot towards the end when
Arbogast goes to the motel and Norman is standing out by the swamp. Beautiful.
AUDIO QUALITY ![]()
The sound mix is also high quality. Rich and full with a nice bass track.
The rear speakers aren't used very often, but when they are, it's effective.
The shower scene is very well mixed between the water falling all around you,
the screaming in the center and the well mixed screaming violins.
EXTRAS ![]()
First we have a cool documentary on the making of this remake, showing us
shot for shot comparisons to the previous film. The doc is interesting and is
very similar to the doc on the House on Haunted Hill (1999) DVD. Both
very enjoyably and likely put together by the same people. Though, this just
proves to me the pretentiousness of Mr. Van Sent. Our second major feature is
the full-length audio commentary with Van Sent, Heche and Vaughn. Van Sant and
Heche get involved in various conversations and stories unrelated to the film
and unrelated to the audience, so of little interest to us, while periodically,
Vaughn points out that they should be watching and commenting on this
interesting scene that's going on. So, for a moment, they talk about the film,
then they just continue their gossiping.
CLOSING THOUGHTS
All I'm suggesting is that you not prejudge the film as so many people
often do. Yes, it is possible to dislike this film and like the original. The
performances are different. In the case of the peripheral characters like
Loomis and Marion's sister, the performances are better. Vince Vaughn had a
very different take on the character of Norman and thus played it differently.
I like both. That's an important thing to remember. You don't have to pick one.
It's not like you're going to be shown two versions of Psycho with the
disclaimer "choose and perish." Give it a chance and you might be
impressed.
Go to my Psycho
(1960) review.
(I've tried to use the same screen grabs from each film, or at least very
close)
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